{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/7a01c9e5-3627-4113-bb75-a1162bceb72d/66da31d9cd9424e34298883b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Culture Chat: The Greek myths are sacred. Did ‘Kaos’ desecrate them?","description":"<p>Put on your laurel wreath. Today we’re joining the gods and taking on <em>Kaos</em>, Netflix's new black comedy series that reimagines the Greek myths. The show follows Zeus (played by Jeff Goldblum) as he struggles to rule over Earth and The Underworld from a gaudy mansion on Mount Olympus. You’ll recognize a lot: the Minotaur and Orpheus myths, the fates, the furies, Medusa in middle management and cameos from the likes of Eddie Izzard and Billie Piper. Why are the Greek myths so endlessly popular? What do we want out of our adaptations? And did this one live up? Lilah is joined by the FT's Josh Spero and Claire Bushey, who enthusiastically disagree with her, to discuss.</p><p>-------</p><p>We love hearing from you. Lilah is on Instagram @<a href=\"https://instagram.com/lilahrap\" rel=\"noopener noreferrer\" target=\"_blank\">lilahrap</a>. We’re on X @<a href=\"https://twitter.com/lifeandartpod\" rel=\"noopener noreferrer\" target=\"_blank\">lifeandartpod</a> and on email at <a href=\"mailto:lifeandart@ft.com\" rel=\"noopener noreferrer\" target=\"_blank\">lifeandart@ft.com</a>. We are ever grateful for reviews on Apple and Spotify. And please share this episode with your friends!</p><p>Register now for the FT Weekend Festival, and claim £24 off your pass using promo code FTPodcast at: <a href=\"http://ft.com/festival\" rel=\"noopener noreferrer\" target=\"_blank\">ft.com/festival</a></p><p>-------</p><p><strong>Links (all FT links get you past the paywall):&nbsp;</strong></p><p>– <em>Kaos </em>is streaming on Netflix now!&nbsp;</p><p>– The FT’s review of <em>Kaos</em>, by Dan Einav, is <a href=\"https://on.ft.com/3XumNYW\" rel=\"noopener noreferrer\" target=\"_blank\">here</a></p><p>– Josh wants more by the composer Joseph Anton Bruckner. You can read his review of the Berliner Philharmoniker orchestra performing Bruckner <a href=\"https://on.ft.com/3XvwHJv\" rel=\"noopener noreferrer\" target=\"_blank\">here</a></p><p>– Josh Spero is on X <a href=\"https://x.com/joshspero?lang=en\" rel=\"noopener noreferrer\" target=\"_blank\">@joshspero</a>. Claire Bushey is at <a href=\"https://x.com/Claire_Bushey?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" rel=\"noopener noreferrer\" target=\"_blank\">@Claire_Bushey</a>&nbsp;</p><p>-------</p><p>Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: <a href=\"https://ft.com/lifeandart\" rel=\"noopener noreferrer\" target=\"_blank\">http://ft.com/lifeandart</a></p><p>-------</p><p>Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco. Clip courtesy of Netflix.&nbsp;&nbsp;</p><p><br></p><p><a href=\"https://www.ft.com/content/c5b026af-ffcd-4bf9-a0c4-0e195c885049\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Read a transcript of this episode on FT.com</strong></a></p>","author_name":"Financial Times"}