{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/7a01c9e5-3627-4113-bb75-a1162bceb72d/66d0e714841b02b74ec34cb5?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Culture chat: Watching ‘Emily in Paris’ despite ourselves","description":"<p>Today, Lilah’s back and we’re talking about <em>Emily in Paris</em>! The extraordinarily popular Netflix sitcom, which millions of people across the globe love to hate-watch, just dropped half of its fourth season. It’s about an American 20-something who moves to Paris to live out our Francophile fantasies. And while it's been ridiculed since it first came out in 2020, we're all still watching! Why? And what do we want out of comfort television? Lilah is joined by Adrienne Klasa, the FT’s Paris reporter on luxury and media, and Cordelia Jenkins, FT Weekend Magazine’s deputy editor.</p><p>-------</p><p>We love hearing from you. Lilah is on Instagram @<a href=\"https://instagram.com/lilahrap\" rel=\"noopener noreferrer\" target=\"_blank\">lilahrap</a>. We’re on X @<a href=\"https://twitter.com/lifeandartpod\" rel=\"noopener noreferrer\" target=\"_blank\">lifeandartpod</a> and on email at <a href=\"mailto:lifeandart@ft.com\" rel=\"noopener noreferrer\" target=\"_blank\">lifeandart@ft.com</a>. We are grateful for reviews on Apple and Spotify. And please share this episode with your friends!</p><p>Register now for the FT Weekend Festival, and claim £24 off your pass using promo code FTPodcast at: <a href=\"http://ft.com/festival\" rel=\"noopener noreferrer\" target=\"_blank\">ft.com/festival</a></p><p>-------</p><p><strong>Links (all FT links get you past the paywall):&nbsp;</strong></p><p>– Episodes one to five of <em>Emily in Paris</em> Season 4 are on Netflix now. The next half of the season will air on September 12</p><p>– We love this article by Jo Ellison – ‘<a href=\"https://on.ft.com/3X5083E\" rel=\"noopener noreferrer\" target=\"_blank\">Emily in Paris is as cheesy as brie</a>’ – from 2020</p><p>– Cordelia Jenkins is on X <a href=\"https://x.com/CordeliaJ?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" rel=\"noopener noreferrer\" target=\"_blank\">@CordeliaJ</a>. Adrienne Klasa is <a href=\"https://x.com/AdrienneKlasa?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" rel=\"noopener noreferrer\" target=\"_blank\">@AdrienneKlasa</a></p><p>– Lilah recommends <em>American Wife</em> by Curtis Sittenfeld. For more on the value of reading old books, here’s a <a href=\"https://on.ft.com/3T71Fp3\" rel=\"noopener noreferrer\" target=\"_blank\">recent column</a> by Janan Ganesh</p><p>-------</p><p>Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: <a href=\"https://ft.com/lifeandart\" rel=\"noopener noreferrer\" target=\"_blank\">http://ft.com/lifeandart</a></p><p>-------</p><p>Original music by Metaphor Music. Mixing and sound design by Jean-Marc Ek and Sam Giovinco. Clip courtesy of Netflix</p><p><br></p><p><a href=\"https://www.ft.com/content/5d92321a-8545-43c3-8b3e-e1e5fb6fceb4\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Read a transcript of this episode on FT.com</strong></a></p><p><br></p>","author_name":"Financial Times"}