{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/7a01c9e5-3627-4113-bb75-a1162bceb72d/65bc31f8ce0e500015102ca4?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Culture chat: Is ‘Poor Things’ a feminist film?","description":"<p>Today we take on ‘Poor Things’, the latest film from director Yorgos Lanthimos. It stars Emma Stone as a Victorian woman whose brain is replaced with that of her unborn baby. She embarks on a sexual journey of self-discovery through Europe and beyond. The film is a critical darling, with 11 Oscar nominations, but unsurprisingly, it left many viewers feeling uneasy. Lilah invites FT arts editor Jan Dalley and HTSI editor Jo Ellison to talk through it: is it an empowering exploration of a woman’s sexual freedom or an uninspiring male gaze fantasy?</p><p>-------</p><p>We love hearing from you. Lilah is on Instagram <a href=\"https://instagram.com/lilahrap\" rel=\"noopener noreferrer\" target=\"_blank\">@lilahrap</a> and we’re on X @<a href=\"https://twitter.com/lifeandartpod\" rel=\"noopener noreferrer\" target=\"_blank\">lifeandartpod</a>. You can email us at <a href=\"mailto:lifeandart@ft.com\" rel=\"noopener noreferrer\" target=\"_blank\">lifeandart@ft.com</a>. We are grateful for reviews, on Apple, Spotify, etc.</p><p>-------</p><p><strong>Links (all FT links get you past the paywall):&nbsp;</strong></p><p>– <em>&nbsp;Poor Things </em>is in theatres now&nbsp;</p><p>– You can read the FT’s three-star review of <em>Poor Things</em>, by film critic Danny Leigh here: <a href=\"https://on.ft.com/480VjMg\" rel=\"noopener noreferrer\" target=\"_blank\">https://on.ft.com/480VjMg</a>&nbsp;&nbsp;</p><p>– The FT’s Raphael Abraham also wrote a review of <em>Poor Things</em> – and gave it five stars: <a href=\"https://on.ft.com/49jGnKe\" rel=\"noopener noreferrer\" target=\"_blank\">https://on.ft.com/49jGnKe</a>&nbsp;</p><p>– The article we mentioned, with 14 critics’ perspectives on the film, is here: <a href=\"https://www.theguardian.com/film/2024/jan/24/bound-gagged-poor-things-feminist-masterpiece-male-sex-fantasy-oscar-emma-stone-ruffalo\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.theguardian.com/film/2024/jan/24/bound-gagged-poor-things-feminist-masterpiece-male-sex-fantasy-oscar-emma-stone-ruffalo</a>&nbsp;</p><p>– Jo is on X @<a href=\"https://twitter.com/jellison\" rel=\"noopener noreferrer\" target=\"_blank\">joellison</a> and Instagram @<a href=\"https://www.instagram.com/jellison22\" rel=\"noopener noreferrer\" target=\"_blank\">jellison22</a></p><p><strong>More or less:&nbsp;</strong></p><p>– Jo wants to see more of Harris Dickinson, who is in <em>The Iron Claw</em> (out now), and <em>Triangle of Sadness</em></p><p>–&nbsp;Jan wants to see more funding for the arts, and for artists to be given more creative freedom</p><p>– Lilah wants better, more concentrated travel reviews, and Oaxaca tips! (You can write to her on <a href=\"https://instagram.com/lilahrap\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram</a>)</p><p>-------</p><p>Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: <a href=\"https://ft.com/lifeandart\" rel=\"noopener noreferrer\" target=\"_blank\">http://ft.com/lifeandart</a></p><p>-------</p><p>Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco. Clip courtesy of Searchlight</p><p><br></p><p><a href=\"https://www.ft.com/content/1f148006-29fe-4027-802a-53d2ff3081fe\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Read a transcript of this episode on FT.com</strong></a></p>","author_name":"Financial Times"}