{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/7a01c9e5-3627-4113-bb75-a1162bceb72d/65569dd405e4a60012b69606?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Culture chat: the unknowable Dolly Parton","description":"<p>This Friday, we’re talking about the deification of Dolly Parton, or, as we like to call her, Saint Dolly. Her new release <em>Rockstar</em> comes out today – a 30-track rock album that features duets with artists such as Paul McCartney, Sting, Elton John and Stevie Nicks on cover versions of their classic songs. The album feels a bit like a karaoke album, but we had a lot of fun listening to it –&nbsp;partially because Parton is so easy to love. So how did Parton become such a cultural icon? What does she represent? And why do we want a Saint Dolly? Lilah is joined by US media correspondent Anna Nicolaou and FT Magazine’s food and drink editor (and long-time Dollyhead) Harriet Fitch Little.&nbsp;</p><p>-------</p><p>We love hearing from you. Lilah is on Instagram <a href=\"https://instagram.com/lilahrap\" rel=\"noopener noreferrer\" target=\"_blank\">@lilahrap</a>. You can email her at lilah.raptopoulos@ft.com.</p><p>-------</p><p><strong>Links (all FT links get you past the paywall):&nbsp;</strong></p><p>–&nbsp;<em>Rockstar </em>by Dolly Parton is available to stream now, on all music streaming platforms.&nbsp;</p><p>– Here’s the FT’s review of <em>Rockstar</em>, by our pop critic Ludo Hunter-Tilney: <a href=\"https://on.ft.com/3ufuiql\" rel=\"noopener noreferrer\" target=\"_blank\">https://on.ft.com/3ufuiql</a>&nbsp;</p><p>– Harriet unpacks the history of Parton’s hit ‘9 to 5’ for the FT column Life of a Song: <a href=\"https://on.ft.com/49F9Uiz\" rel=\"noopener noreferrer\" target=\"_blank\">https://on.ft.com/49F9Uiz</a></p><p>– Anna is on X @<a href=\"https://twitter.com/annaknicolaou\" rel=\"noopener noreferrer\" target=\"_blank\">annanicolaou</a>, Harriet is on X at @<a href=\"https://twitter.com/HarrietFL\" rel=\"noopener noreferrer\" target=\"_blank\">HarrietFL</a> and Instagram at @<a href=\"https://www.instagram.com/huffffle/\" rel=\"noopener noreferrer\" target=\"_blank\">huffffle</a></p><p>More or less:&nbsp;</p><p>– Harriet recommends <em>Jury Duty</em>, available to stream free on Amazon Prime</p><p>– For great local-feeling restaurants in New York, Lilah has a hundred recommendations, but here are three: Claud, a wine bar in the East Village, Names in Prospect Lefferts Gardens, and (the classic) Frankie’s in Carroll Gardens</p><p>– Here’s the article Harriet mentioned, ‘The UK’s 19 cosiest winter restaurants – according to FT writers’: <a href=\"https://on.ft.com/3MNmZwy\" rel=\"noopener noreferrer\" target=\"_blank\">https://on.ft.com/3MNmZwy</a></p><p>– Anna hates grey wood floors</p><p>-------</p><p>Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: <a href=\"https://ft.com/lifeandart\" rel=\"noopener noreferrer\" target=\"_blank\">http://ft.com/lifeandart</a></p><p>-------</p><p>Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco. Clips courtesy of Big Machine Records.</p><p><br></p><p><a href=\"https://www.ft.com/content/4eac69b1-197f-4b80-a9ae-ed80851ba5dd\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Read a transcript of this episode on FT.com</strong></a></p>","author_name":"Financial Times"}