{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6b22dabf-b9be-45c2-bddb-1483c14ab221/66e8682d732858acf0541a20?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"How Sub Pop Records Develops and Funds Artists","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/614da10f772a06733661598c/1726505326318-7fbb4bf8-ab94-4c73-982c-acf9d6919e3c.jpeg?height=200","description":"<p>This week Ari sits down with Tony Kiewel, the President of Sub Pop Records and co-founder of ORCA (Organization for Recorded Culture and Arts). Sub Pop has repped iconic artists like Nirvana, Soundgarden, Beach House, The Postal Service, Flight of the Conchords, Iron &amp; Wine, Father John Misty, and many more. Tony’s organization, ORCA, is a “think tank comprised of international independent music labels committed to increasing music’s economic, social, and cultural value.” ORCA has done incredible research to demonstrate the tangible value of music in our society. ORCA also works with numerous record labels to increase financial and contractual transparency between labels and artists.&nbsp;</p><p><br></p><p>In this episode, Tony shares the inner-workings of his experience at Sub Pop. He breaks down how independent record labels function in 2024 and how exactly his label invests in the future of their artists. Ari and Tony discuss how ORCA’s research could help influence law and policy changes for the music industry and how the organization helps people outside of the industry understand how things work. Tony talks about what Sub Pop looks for when it comes to signing new artists, how they develop current artists on their roster, and how they go about working with undiscovered artists vs. artist on the cusp of stardom. If you’re interested in the inner workings of indie labels, you won’t want to miss this episode!</p><p><br></p><p>ORCA: <a href=\"https://www.orcaformusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.orcaformusic.com/</a>&nbsp;</p><p><br></p><p>“Setting the Stage: How Music Works” study by ORCA: <a href=\"https://aristake.io/orca\" rel=\"noopener noreferrer\" target=\"_blank\">https://aristake.io/orca</a></p><p><br></p><p>00:00 Understanding the New Music Business</p><p>05:26 The Formation of ORCA and Its Goals</p><p>10:16 The Importance of Transparency in the Music Industry</p><p>16:07 The Challenges Facing Independent Artists</p><p>22:42 The Role of Indie Labels in Artist Development</p><p>33:56 Artist Development Strategies at Sub Pop</p><p>42:58 Investments in Emerging Artists</p><p>51:15 Revenue Streams and Financial Models</p><p>01:00:19 Marketing and Tour Support Budgets</p><p>01:10:36 Trends in Physical vs. Digital Sales</p><p>01:17:26 Mutually Beneficial Artist-Label Relationships</p><p><br></p><p>Edited and mixed by Ari Davids</p><p>Music by Brassroots District</p><p>Produced by the team at Ari’s Take</p><p><br></p><p>Order the THIRD EDITION of How to Make It in the New Music Business: <a href=\"https://book.aristake.com\" rel=\"noopener noreferrer\" target=\"_blank\">https://book.aristake.com</a></p>","author_name":"Ari's Take"}