{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6ad0173ce53019e890b1a241/6aea746ef5930510a0127b51?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"ALL TOMORROW’S PARTIES","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6ad0173ce53019e890b1a241/1793750051374-1144cd5f-786c-4817-aa8b-8a84c3cd1ec3.jpeg?height=200","description":"<p>So you&#39;ve pressed your records, how do you plan to sell them? It turns out that a huge shift in the distribution of physical records through new resources like ADA had a lot to do with how so many people were buying indie records. From the bankruptcy that nearly took down Death Cab&#39;s label to the tricks Domino used to get Franz Ferdinand in a Best Buy endcap, these are the stories of how the records actually got to you.</p>","author_name":"Nevermind Media"}