{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6ace5e1794a3daa98e83c0ec/6ace5f722c705f746c1dd820?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"\"Frankenstein\" And The Craft Category Juggernauts with Bilge Ebiri","description":"<p>This week we’re brooding, Victorian style, with Vulture’s Bilge Ebiri! Guillermo del Toro’s <em>Frankenstein</em> is a Best Picture nominee and is well represented in the craft categories, but it has only one acting nomination, for Jacob Elordi’s hulking monster. It’s of a piece with past craft-heavy Oscar contenders like <em>Dune</em> or <em>The Lord of the Rings</em>, but does <em>Frankenstein</em> actually stand a chance? We discuss the film itself, its lavish sets and costumes, del Toro’s choice to center the monster as the hero, and how that decision reshapes the monster’s opposite, Victor, played by Oscar Isaac.</p>\n<p><br></p>\n<p>We also touch on the new <em>Wuthering Heights</em>, also starring Jacob Elordi, the history of <em>Wuthering Heights</em> adaptations, the shameless state of celebrity Super Bowl ads, and finally atone for our past sins, as Bilge defends previous subjects <em>Train Dreams</em> and <em>Hamnet</em> against our critiques. As it turns out, we were the monster all along.</p>\n<p><br></p>\n<p>Subscribe to Richard's newsletter, <a href=\"https://www.premiereparty.com/subscribe\">⁠Premiere Party,⁠</a> and read Alison's work <a href=\"https://www.vulture.com/author/alison-willmore/\">⁠at Vulture.</a></p>\n<p><a href=\"https://www.instagram.com/criticaldarlingspodcast/\">⁠Follow Critical Darlings on Instagram⁠⁠</a></p><p> </p>","author_name":"Blank Check Productions"}