{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6ace5e1794a3daa98e83c0ec/6ace5f51eea51f2aa3a27a11?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"“Primetime” Takes A Seat (With Jessica Kiang)","description":"<p>Heads up to listeners,  this episode includes sensitive discussions of abuse due to the nature of the film. </p>\n<p><br></p>\n<p>It's Primetime! The new Robert Pattinson vehicle is a neon-lit, morally murky movie about ratings and perversions of justice that serves as an astonishing acting showcase for Pattinson and costars Merritt Weaver and Skyler Gisondo . It's also a hit, and yet another feather in Pattinson's cap, after The Drama succeeded earlier this year, and with Dune III on the horizon. </p>\n<p><br></p>\n<p>We're joined by the incredibly well-traveled Jessica Kiang of Variety and The Berlin Film Festival to discuss. We discuss the film, its unintended documentary companion piece <em>Predators, </em>the phenomenon of <em>To Catch A Predator,</em> and how all of that is filtered through this very slick film, the first narrative feature from director Lance Oppenheim. </p>\n<p><br></p>\n<p>Next week, we'll be having a very measured discussion of the normal-looking film \"Digger\". </p>\n<p><br></p>\n<p>Email us: CriticalDarlingsMailbag@gmail.com</p><p> </p>","author_name":"Blank Check Productions"}