{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6acd293deea51f2aa383cce8/6acd2cc55f788808a71ca7c9?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Dorian Electra with Claud","description":"<p>On this week’s <em>Talkhouse Podcast</em>, we’ve got a pair of incredible young songwriter-performers whose music isn’t super similar, but who both embrace a sort of ultra-modern mish-mash of styles: Dorian Electra and Claud. Claud was the first performer signed to Phoebe Bridgers’ new label, Saddest Factory, after spending some time in a duo called Toast. Claud’s debut album, <em>Super Monster</em>, is most often described as “bedroom pop”—that term is brought up in this chat—but that’s only a small part of it. There are hints of all kinds of sounds here, from vaguely Latin-esque to pop-punkish on the delightful “That’s Mr. Bitch to You.”</p><p><br></p><p><br></p><p>Dorian Electra has been at it a bit longer than Claud, having made a splash around ten years ago with playful, politically charged songs about money and gender fluidity, among many other things. Electra was featured on the Charli XCX track “Femmebot” a few years back, and in 2020 released their second album, <em>My Agenda</em>, which features everyone from Pussy Riot to Village People.</p><p><br></p><p><br></p><p>Electra and Claud have a great conversation, tackling everything from the importance of Spotify playlists—which played a role in each of their success—to college to the complicated commercialization of Pride Month. Enjoy.</p><p><br></p><p><br></p><p>This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!</p>","author_name":"Talkhouse"}