{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6acd293deea51f2aa383cce8/6acd2a977ce338e8cd82efe5?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Pete Townshend (The Who) with The Wild Things","description":"<p>We’ve had legends on the <em>Talkhouse Podcast</em> before, but perhaps none quite as legendary as Pete Townshend, who’s in conversation on today’s episode with a younger band he recently worked with, The Wild Things.</p><p><br></p><p>It seems a bit silly to offer a short bio of Townshend—after all, you have chosen to listen to a podcast about music, so you’re probably familiar—but here goes: Pete Townshend is the guitarist and primary songwriter of The Who, a band that cracked open the world of rock and roll in the early 1960s and inarguably changed the direction of popular music forever. He’s often credited as the first guitarist to treat feedback as an essential part of his sound, influencing the likes of Jimmy Page and Jimi Hendrix, among many others. And that was all 50 years ago: Townshend has built on the legacy of The Who since, continuing to make music with the only other surviving member, Roger Daltrey, as well as writing books, musicals, and opera. He also keeps his eyes and ears out for new music, even at age 79, which is where the other half of today’s chat comes in.</p><p><br></p><p>Two members of the UK band The Wild Things, Sydney Rae White and Rob Kendrick, met Townshend when they were cast in the musical stage production of The Who’s rock opera <em>Quadrophenia</em>. Though she’s spent much of her career acting—you may have seen her in the Netflix series <em>Uncle</em> or the Michael Keaton movie <em>American Assassin</em>—White’s passion seems to be focused at the moment on the band, which also includes her brother Cameron White and drummer Pete Wheeler. When it came time to record new Wild Things music, Townshend offered his help both as a musical ear and a man with a studio, which resulted in the new album <a href=\"https://open.spotify.com/album/1KYeRpxFbj6oRbBBspTzRA\"><em>Afterglow</em></a>. Fittingly for a man with Townshend’s history, <em>Afterglow</em> is something of a concept album, which is a big topic of discussion here. <a href=\"https://www.youtube.com/watch?v=uRuCkp3wxQM\">Check out</a> “My Heart is in New York” from <em>Afterglow</em>, which features a guest vocal from Townshend.</p><p><br></p><p>Townshend and the Wild Things talk about telling stories through your music, about concept albums, about working together to make <em>Afterglow</em>, about trying to connect with people in an overwhelming media world, and much, much more. Enjoy.</p><p><br></p><p>0:00 – Intro</p><p>2:32 – Start of the chat/the concept behind <em>Afterglow</em></p><p>6:55 – Why Pete wanted to work with The Wild Things</p><p>16:06 – \"You know, this is a real fucking Rick Rubin conversation!\"</p><p>21:58 – The advantages to being able to experiment in the studio</p><p>29:15 – \"The thing about Sid is that she can do fucking anything.\"</p><p><br></p><p>Thanks for listening to the <em>Talkhouse Podcast</em>, and thanks to Pete Townshend and all of the Wild Things for chatting. If you liked what you heard, please <a href=\"https://episodes.fm/877672766\">follow Talkhouse</a> on your favorite podcasting service, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the <em>Talkhouse</em> theme is composed and performed by the Range. See you next time!</p><p><br></p><p>﻿This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: <a href=\"https://distrokid.com/vip/talkhouse\">distrokid.com/vip/talkhouse</a> </p>","author_name":"Talkhouse"}