{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6ac4309aaef0446505856133/6ac4373d6c844f245fb12128?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Aloha with Esther Zuckerman","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6ac4309aaef0446505856133/6bb9d8182c5abb0aac2b38ad2456e107.png?height=200","description":"<p>Nearing the end of the Cameron Crowe mini series, Esther Zuckerman (The A.V. Club) joins Griffin and David to discuss the writer/director’s most recent theatrical release, 2015’s space militarization romantic comedy, Aloha. But doesn’t someone in Emma Stone’s camp look at this script and see at least a few red flags? Why is the movie set in Hawaii but features 99% white people? How do you make being a fighter pilot sound sexy if you’re a woman? Together, they examine Alec Baldwin’s yelling, defining gate blessings, why one can’t buy the sky and offer up their solutions to fix this film.</p><p><br></p><p><a href=\"http://www.patreon.com/blankcheck\">Join our Patreon for franchise commentaries and bonus episodes</a>.</p><p>Follow us @blankcheckpod on <a href=\"https://www.instagram.com/blankcheckpod/?hl=en\">Instagram</a>, <a href=\"https://www.threads.net/@blankcheckpod?xmt=AQGzctAh4mbWTwYzCV1pzNT6AMV9o99EOfymi8TLR5mTde0\">Threads</a>, <a href=\"https://www.facebook.com/blankcheckpodcast/\">Facebook </a>and <a href=\"https://x.com/blankcheckpod?lang=en\">X</a>! </p><p><a href=\"https://kinshipgoods.com/blankcheck\">Buy some real nerdy merch</a>.</p><p>Connect with other Blankies on our <a href=\"https://www.reddit.com/r/blankies/s/gpcOkQr8Sv\">Reddit</a> or <a href=\"https://discord.gg/blankies\">Discord</a></p><p>For anything else, check out <a href=\"https://www.blankcheckpod.com/\">BlankCheckPod.com</a> </p><p> </p>","author_name":"Blank Check Productions"}