{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6ac4309aaef0446505856133/6ac435377c84f5d4dd80f186?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Darkman with Chris Weitz","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6ac4309aaef0446505856133/199851f4be11da5a6ee1da0da4a0af4e.png?height=200","description":"<p>Who’s Darkman? A man of a thousand faces! A walking fleshwound who probably smells awful! A dude who probably would be into night eggs! Filmmaker Chris Weitz joins us to geek out over Sam Raimi’s homage to the Universal Monsters - a film that establishes the comic book style that Raimi would later perfect with his “Spider-Man” trilogy. We discuss the early 90s run of pulpy comic book films (“Dick Tracy”, “The Shadow”), the shock of seeing Frances McDormand in what she describes as a “bimbo role,” and the unbelievably true story of how Sam Raimi swapped in his own cut of “Darkman” when the studio tried to release their own version. </p><p><br></p><p><a href=\"http://www.patreon.com/blankcheck\">Join our Patreon for franchise commentaries and bonus episodes</a>.</p><p>Follow us @blankcheckpod on <a href=\"https://www.instagram.com/blankcheckpod/?hl=en\">Instagram</a>, <a href=\"https://www.threads.net/@blankcheckpod?xmt=AQGzctAh4mbWTwYzCV1pzNT6AMV9o99EOfymi8TLR5mTde0\">Threads</a>, <a href=\"https://www.facebook.com/blankcheckpodcast/\">Facebook </a>and <a href=\"https://x.com/blankcheckpod?lang=en\">X</a>!</p><p><a href=\"https://kinshipgoods.com/blankcheck\">Buy some real nerdy merch</a>.</p><p>Connect with other Blankies on our <a href=\"https://www.reddit.com/r/blankies/s/gpcOkQr8Sv\">Reddit</a> or <a href=\"https://discord.gg/blankies\">Discord</a></p><p>For anything else, check out <a href=\"https://www.blankcheckpod.com/\">BlankCheckPod.com</a> </p><p> </p>","author_name":"Blank Check Productions"}