{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a71e2f747235c354d4c85d4/6ab2880fb8c4cddd755495e5?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"\"Zoo, or Letters Not About Love\" with Camilla Grudova","description":"<p>Welcome to The Lost Shelf - the series where we invite authors to rescue their favourite neglected works of literature from obscurity.</p><p><br></p><p>In Episode Two, Art O&#39;Connor and Camilla Grudova discuss &quot;Zoo, or Letters Not About Love&quot; by Viktor Shklovksy. Their wide-ranging conversation touches on Shklovsky&#39;s lovesickness and homesickness, his theoretical background in Formalism, as well as some of the finer points of literary composition. They also consider the challenges of literary translation, the critic-as-novelist, and the state of contemporary literary fiction.</p><p><br></p><p>Erratum: Art misquotes &quot;Ulysses&quot; by adding a spurious &quot;f&quot;, thereby banjaxing a reference to Fritz Senn. The correct quotation is &quot;Going forth he met Butterly&quot; (not &quot;Butterfly&quot;). Among the many translational ingenuities this tricky line inspired is Wollschläger&#39;s &quot;Und er ging hinaus und weinte Buttermilch&quot; (and he went out and wept buttermilk) - but no sign of any Schmetterlinge.</p><p><br></p><p>After analysing four competing translations of the sentence, Senn concluded: &quot;It is open to everyone to add further remedial touches, which is one way of attesting a basic intranslatability.&quot; (Joyce&#39;s Dislocutions (1984), p. 36)</p><p><br></p><p>Thanks to Camilla Grudova, Emmet White, Liam Mulvaney, and the whole team at The Whistleblower.</p><p><br></p><p>Title song: &#39;Harry Clarke&#39; by Clara Tracey</p>","author_name":"Art O'Connor"}