{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a58f7abf782764c4cf95ce2/6a6b9998248de9b0b26c8715?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Turn The Table Over: Sarah Gulish on Creativity, Agency, and Academic Publishing","description":"<p>Give a room of elite music students a genuine creative choice — no right answer, no rubric — and a lot of them freeze. Dr. Sarah Gulish has spent her career asking why, and what to do about it.</p><p><br></p><p>Sarah is an assistant professor of music education at West Chester University, where every course she teaches centers on creativity: improvisation, student-centered learning, progressive methods. Before that she spent sixteen years teaching in public schools, including a high school course called Creativity and Collaboration that she co-taught with an art teacher. She's a working songwriter and performer, a card-carrying devotee of The Moth, and the founder and CEO of F-flat Books.</p><p><br></p><p>In the academic half, Sarah traces her big questions — student agency and autonomy — back to the students she couldn't serve, and walks us through her current research on improvisation and confidence. Two findings stand out: students' creative self-efficacy grew dramatically over a semester and they credited the&nbsp;<em>environment</em>&nbsp;for it, and their own sense of how creative their playing was didn't match an outside judge's — but their confidence still gave them real pride in the making. She also talks honestly about being a qualitative researcher doing a quantitative study on purpose, because numbers are the language administrators speak.</p><p><br></p><p>Then the turn. In 2015, Sarah got her first academic book contract and was stunned by the terms — 2% royalties, no marketing, and the loss of rights to her own work — and more stunned that everyone told her this was normal. So she built something else. F-flat Books turns seven this week, with more than 200 resources, over 80 creators, and hundreds of thousands of dollars paid to authors who keep their rights. Her hardest-won lesson: the people who resonated weren't other academics, they were classroom teachers doing the work. Her question for anyone sitting on research is the one that gave this episode its title — if the people you want to reach aren't reading journals, where are they, and how do you get there?</p><p><br></p><p>Plus: why creativity isn't just an arts problem, what happens when a university partnership rescues master's projects from a shared drive, and the case for public funding of arts research made to actual policymakers in DC.</p><p><br></p><p>Links:</p><p><a href=\"https://www.pexelab.org/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.pexelab.org</a></p><p><a href=\"https://seanisdwelling.substack.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://seanisdwelling.substack.com</a></p><p><a href=\"https://matthewkr.substack.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://matthewkr.substack.com</a></p><p>Sarah Gulish —&nbsp;<a href=\"https://www.sarahgulish.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.sarahgulish.com</a></p><p>Thoughts with Sarah Gulish —&nbsp;<a href=\"https://sarahgulish.substack.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://sarahgulish.substack.com</a></p><p>F-flat Books —&nbsp;<a href=\"https://fflat-books.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://fflat-books.com</a></p>","author_name":"The PEXE Lab"}