{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a4cf2b47c0256f6394e534e/6a9da5cff8f4d425899fe878?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Venice day 6: The early frontrunners for the Golden Lion ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6a4cf2b47c0256f6394e534e/1788716275783-68ebf46c-eb13-4a92-8184-f932d76357c3.jpeg?height=200","description":"<p>In the sixth episode of The Screen Podcast at the Venice Film Festival, we look at some of the strong early contenders for the event’s top award, the Golden Lion.</p><p><br></p><p>Host Wendy Mitchell is joined by Screen’s senior US critic Tim Grierson, who reveals a trio of titles that have impressed him so far on the Lido.</p><p><br></p><p>One is May el-Toukhy’s post-Second World War drama Woman Unknown, the only title in competition solely directed by a woman. “It builds to an ending that I found incredibly effective,” says Grierson. “It’s a really impressive piece of work, and one of the strongest easily in the competition.”</p><p><br></p><p>Grierson also explains why Lee Chang-dong’s Possible Love shares much in common with the filmmaker’s previous acclaimed work Burning, and spotlights a five-hour documentary project that is full of “beautiful small moments.”</p>","author_name":"Wendy Mitchell, Matt Mueller, Louise Tutt"}