{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a4cf2b47c0256f6394e534e/6a4cf2c22c7bd0af20e3c8e8?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Do film industry open letters make a difference?","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6a4cf2b47c0256f6394e534e/7a9221e2cea3b3d684e0bae536d06d8a.png?height=200","description":"In this week’s episode of The Screen Podcast, the team debates why open letters have become so popular in the film industry and what kind of impact they can have. \n\n\nHost Wendy Mitchell is joined by Screen’s deputy editor Louise Tutt and Europe editor Tim Dams to discuss the latest in a growing trend of open letters - this time, two in support of Israeli-born filmmaker Nadav Lapid, who was forced to withdraw from the FID Marseille jury as part of a cultural boycott of Israel. \n\n\nOther film industry open letters in recent months covered topics such as Canal+ owner Vincent Bollore, the Berlinale’s stance on Gaza and the Paramount-Warner Bros Discovery deal.\n\n\nThe trio then discussed the new deal between Netflix and France’s TF1, which will make TF1’s content available on the streaming service.\n\n\nThe Screen Podcast is produced by Ellie Calnan, with Wendy Mitchell serving as editorial director. New episodes every Thursday.\n\n\nFor more on the stories mentioned this week, go to https://www.screendaily.com.\n\n\nFrance’s CNC responds to Nadav Lapid situation https://www.screendaily.com/news/frances-cnc-responds-to-nadav-lapid-situation-by-launching-a-support-service-for-filmmakers-and-festivals/5218009.article\n\n\nNetflix rolls out TF1 content in France https://www.screendaily.com/news/netflix-rolls-out-tf1-content-in-france-marking-streamers-first-tie-up-with-local-broadcaster/5217808.article","author_name":"Wendy Mitchell, Matt Mueller, Louise Tutt"}