{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a4a6c1a5ef16cb804c07a86/6ada3dff0a858cda44848847?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"7. Symphony 89","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6a4a6c1a5ef16cb804c07a86/1792687527824-d3d58c24-9e16-48b7-a1dd-b35059743bd2.jpeg?height=200","description":"<p>Oure hoost seems oute of soorts today as he tackles this genial but obscure symphony; it turns out he didn’t quite realise the extent of its obscurity and that’s put him in an obscurely bad mood. He picks a fight with Haydn’s biographer, invents the Queen of Basingstoke purely to tell her to f*ck off and casts shade at an incongruous parade of targets including Oasis, Jan Hammer, Douglas Adams, Michael Bentine and Handel. Mozart, on the other hand, gets more respect this episode than anyone else; this alone would be enough to suspect something was up but things are sorted out in time to reassure listeners that there will never be a podcast discussing Haydn’s 123 Baryton Trios… (Contains sneak preview of spin-off Baryton Trio podcast Why Haydn Is CGI)</p>","author_name":"Jeremy Limb"}