{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a4a6c1a5ef16cb804c07a86/6aba47c429a486156a89ab2a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"6. Symphony 65","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6a4a6c1a5ef16cb804c07a86/1790592413527-e3d50e8d-2b9a-41c3-9b25-c5ee225bc1a7.jpeg?height=200","description":"<p>This Loki of a symphony is such a trickster that Jeremy somehow thought it was another one, THAT&#39;s how devious it is. (Nothing to do with incompetence.) Anyway, A major is anything but Low Key in Haydn&#39;s hands... this one is proper weird - the reference points include Magritte, The Bed-Sitting Room and Blue Peter. Elsewhere Mozart gets a free pass for a change but another composer has his pass handed to him... and then gets torn a new pass. Sorry, arse.</p>","author_name":"Jeremy Limb"}