{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a4a6c1a5ef16cb804c07a86/6a7353a22578a0c7e292f825?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"3. Symphony 3","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6a4a6c1a5ef16cb804c07a86/1785942296572-fc2a7796-f1f2-4242-a370-5dfd8b1c2936.jpeg?height=200","description":"<p>Or 'Baroque to the Future'. Where we're going we don't need fugues! But we're not there yet, and for this early stopover in the symphonic life of Haydn, JL has chosen a symphony full of counterpoint, canon and fugue; which he elects to explain using 1970s TV theme tunes only. Mozart gets bigged up in this one, surprisingly, although an attempt is made to outdo him (again using 1970s TV theme tunes only)</p>","author_name":"Jeremy Limb"}