{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"","title":"Nineteen Eighty-Four: Orwell's Present Tense","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6a28001ca917ce4c7065c483/27a564a8-f883-469d-8cb0-7644c323456e.jpg?height=200","description":"George Orwell wrote Nineteen Eighty-Four (1949) while dying of tuberculosis at Barnhill, a remote farmhouse on the Scottish island of Jura, drawing on his experience fighting in the Spanish Civil War (where he was shot through the throat by a Nationalist sniper on the Aragon Front, and then hunted by Stalinist-aligned forces who suppressed his POUM militia and forced him to flee Spain) and his work as a BBC propagandist during WWII. The novel's architecture of control is total: the Ministries of Truth, Love, Peace, and Plenty are named for their opposites; the telescreen watches from every wall; Room 101 contains whatever you most fear. Orwell was a democratic socialist who hated both fascism and Stalinism, and the novel is his warning to the left about how revolutionary movements consume themselves. This episode examines the political biography behind the novel, the architecture of the Ministry of Truth (based on Senate House, the wartime Ministry of Information, where Orwell's wife Eileen worked in the censorship department — while Room 101 takes its name from a BBC meeting room Orwell found torturously dull), and why 'Orwellian' has been claimed by both left and right as a description of the present.","author_name":"Atween Studios"}