{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a1b720ead1ed3d7b5e40e26/6a4d745e6ae7b13bb29ad90c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Nazi Director: Leni Riefenstahl ","description":"<p>Leni Riefenstahl was one of the most important directors of the 20th century. She pioneered several filmmaking techniques and forever influenced how sports and action are filmed on camera. But she was also a Nazi. Or was she? After the war, Riefenstahl spent the rest of her very long life defending her work and denying any involvement with the Nazi Party...sometimes in the face of very real evidence to refute her claims. So what's the truth? Listen to this episode to hear the full story.</p><p><br></p><p>Warning: this episode talks about the Holocaust, bigotry, and stigmatization of mental illness. </p><p><br></p><p>This episode was re-recorded for this release. The original version aired on Grab Bag Collab in May 2025. Stephanie Weber researched, wrote, recorded, and edited the episode. Brock Alter did all of the artwork. Follow us on social media to see clips and stills from the films discussed in this episode. </p><p><br></p><p>SOURCES:</p><p><br></p><p>Connolly, Kate. Gypsies’ Fate Haunts Film Muse of Hitler. August 18, 2002. <a href=\"https://www.theguardian.com/world/2002/aug/18/artsandhumanities.germany\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.theguardian.com/world/2002/aug/18/artsandhumanities.germany</a></p><p><br></p><p>Connolly, Kate. “Film suggests Nazis’ lead propagandist had role in 1939 massacre.” The Guardian. August 28, 2024. <a href=\"https://www.theguardian.com/film/article/2024/aug/28/film-suggests-nazis-propagandist-leni-riefenstahl-had-role-in-1939-massacre\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.theguardian.com/film/article/2024/aug/28/film-suggests-nazis-propagandist-leni-riefenstahl-had-role-in-1939-massacre</a></p><p><br></p><p>“Just What Did Leni Riefenstahl’s Lens See?” New York Times. March 13, 1994. Accessed via <a href=\"https://writing.upenn.edu/~afilreis/Holocaust/maslin.html\" rel=\"noopener noreferrer\" target=\"_blank\">https://writing.upenn.edu/~afilreis/Holocaust/maslin.html</a> on May 1, 2025.</p><p><br></p><p>Indiana, Gary. “Leni Riefenstahl.” Art Forum. <a href=\"https://www.artforum.com/columns/leni-riefenstahl-168029/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.artforum.com/columns/leni-riefenstahl-168029/</a></p><p><br></p><p>Muller, Ray. <em>The Wonderful Horrible Life of Leni Riefenstahl.</em> (1993)</p><p><br></p><p>Prose, Francine. “Leni Riefenstahl: On a Nazi Filmmaker”. The Yale Review. October 1, 2018. <a href=\"https://yalereview.org/article/leni-riefenstahl\" rel=\"noopener noreferrer\" target=\"_blank\">https://yalereview.org/article/leni-riefenstahl</a></p><p><br></p><p>Riefenstahl, Leni. “The Blue Light”. (1932).&nbsp;</p><p><br></p><p>Riefenstahl, Leni. “Olympia Part One: The Festival of Nationals” (1938).</p><p><br></p><p>Riefenstahl, Leni. “Olympia Part Two: Festival of Beauty” (1938).&nbsp;</p><p><br></p><p>Veiel, Andres. <em>Riefenstahl.</em> (2024)</p><p><br></p><p>Zajc, Melita. <em>A cruel game by Hitler’s Favourite Filmmaker Exposed.</em> Modern Times Review. February 20, 2022. <a href=\"https://www.moderntimes.review/a-cruel-game-by-hitlers-favourite-filmmaker-exposed/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.moderntimes.review/a-cruel-game-by-hitlers-favourite-filmmaker-exposed/</a></p><p><br></p>","author_name":"Stephanie Weber"}