{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6a012fd12ba0ef2cca86ac74/6a45dd25a2ba271831802baa?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Episode 261 - Osvaldo Budet: What do we preserve, what do we question, and what do our monuments say about us.","description":"<h2><a href=\"https://mrag.org.au/exhibition/upriver-downriver-2/\" rel=\"noopener noreferrer\" target=\"_blank\">Osvaldo Budet: <em>Upriver Downriver</em></a></h2><p><em>Maitland Regional Art Gallery opens July 11th 2026, opening night 24th July and 25th July a talk and Q &amp; A with Dr Nancy Cushing from University of Newcastle.</em></p><p><br></p><p>Puerto Rican Australian artist Osvaldo Budet joins Art Wank to discuss <em>Upriver Downriver</em>, his exhibition at Maitland Regional Art Gallery exploring one of the Hunter region's most debated public monuments: Maitland's Black Boy statue, now more commonly referred to as Jocko Graves.</p><p>For more than a century, the cast iron figure has stood in the centre of Maitland's civic life. Celebrated by some as a beloved local landmark and questioned by others for its racial imagery and colonial associations, the statue has become a focal point for conversations about history, memory, race, and heritage.</p><p>Budet's work is informed by his experience growing up in Borikén, Puerto Rico, a place still shaped by colonial structures and histories. In <em>Upriver Downriver</em>, he considers how inherited images and public monuments continue to shape contemporary understandings of identity, authority, and belonging. Rather than offering simple answers, the exhibition asks how communities engage with historical objects whose meanings shift over time.</p><p>This conversation explores the power of monuments, the persistence of colonial narratives in public space, and the ways artists can help us reimagine our relationships with difficult histories.</p><p><br></p><h3><br></h3><p>Osvaldo Budet (b. 1979) is a Puerto Rican artist whose multidisciplinary practice spans painting, drawing, photography, video, and research based projects. His work examines the physical, historical, and political dimensions of colonisation and post colonisation, exploring how systems of power shape culture, identity, and memory.</p><p><br></p><p>Budet received a Master of Fine Arts in Painting from the Maryland Institute College of Art, where he studied under Grace Hartigan. Since 2008, he has lived and worked across Puerto Rico, Germany, the United States, and Australia. His work has been exhibited internationally, including at the Museo de Arte Contemporáneo de Puerto Rico, Museo de Arte de Puerto Rico, me Collectors Room Berlin, the Museum of Latin American Art, and numerous galleries and institutions throughout Europe, the Americas, and Australia.</p><p>Through <em>Upriver Downriver</em>, Budet brings a global perspective on colonialism, representation, and historical memory to a distinctly local Australian story, inviting audiences to consider how we preserve, reinterpret, and reckon with the complex objects of our past.</p>","author_name":"Fiona Verity, Julie Nicholson and Gary Seller"}