Nathan Fielder and Lance Oppenheim’s You Can See Everything has packed movie theaters and set records at the box office. It’s also kicked off a debate about, well, pretty much everything that happens on screen – including whether the film's subjects, notorious fraudster Elizabeth Holmes and her mysterious partner Billy Evans, can ever be trusted. Carter Sherman and Guardian arts writer Adrian Horton break down Horton's five-star review of the film, analyze Evans's most shocking moments and chart Holmes' trajectory from girlboss to (maybe) tradwife. They want to know: how did ideas about gender and sex shape this film? Contains spoilers
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