{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69e9e04423929c3a2aaec2b7/69fdbd6b28bc864b8b149663?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Feminist Artist Filmmaking Lauren Holton","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/69e9e04423929c3a2aaec2b7/1778236695595-719aaedb-6337-4772-bcae-5da0386b565c.jpeg?height=200","description":"<p>In this episode of the&nbsp;<em>Doctoral Dialogue</em>&nbsp;podcast, we’re joined by Lauren Holton, a fourth-year PhD researcher at the University of Westminster.</p><p><br></p><p>Lauren discusses her research into feminist artist filmmaking, with a particular focus on collaboration. Her thesis,&nbsp;<em>Differentiated Publics: A Study of Collaboration in Feminist Artist Filmmaking</em>, examines the work of Petra Bauer, Andrea Luka Zimmerman, and Rehana Zaman, exploring how collaborative practices shape feminist film production and reception.</p><p><br></p><p>She reflects on the importance of context within her research, including the influence of funding structures and the shift from traditional cinema spaces to gallery-based settings. Lauren uses detailed case studies to understand how collaboration functions as both a creative and political practice within feminist filmmaking.</p><p><br></p><p>The conversation also touches on her reflections as an advanced-stage PhD researcher, including how her understanding of productivity has evolved over time and the value of maintaining self-reflexivity throughout the research process.</p>","author_name":"University of Westminster Graduate School"}