{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69e8c02d6e5b90839a419658/6ae1667d664593f806422219?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Bringing Up The Lights - Chicago Shakespeare Theater: Lights, Sound, and a Sunroof","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/69e8c02d6e5b90839a419658/1793156632903-22d6ffea-3ecf-4c9c-aa31-794510a450ff.jpeg?height=200","description":"<p>Underneath the stage at Chicago Shakespeare, there’s a mechanism called the sunroof. It drops down, slides away, and opens a hole for a lift to rise through. Both <em>The Winter’s Tale</em> and <em>A Midsummer Night’s Dream</em> use it, and this season there’s something built into that same mechanism that’s never existed on that stage before.</p><p><br></p><p>That’s the territory of Tyler Metoxen, Chicago Shakespeare’s technical director. Tyler talks about getting into theater in ninth grade, never wanting to be on stage himself, and a career path, from the Santa Fe Opera to the Utah Shakespeare Festival to Milwaukee, that ran almost entirely through repertory companies before he ever landed in Chicago.</p><p><br></p><p>He explains what a technical director actually does, why the line between his department and props is blurrier than you’d think, and why “it works most of the time” isn’t nearly good enough on a live stage. He also covers why <em>Winter’s Tale</em> and <em>Midsummer</em> were never treated as two separate builds, down to the shared floor both productions had to be planned around together.</p><p><br></p><p><em>Bringing Up the Lights</em> is an original series from Sound Concept Media, written and narrated by Keith Conrad.</p>","author_name":"Keith Conrad"}