{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/698b3c40d4ce946316e157f8/698b3e0b5fc77c9327817079?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Une nouvelle grammaire musicale","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/698b3c40d4ce946316e157f8/1770733005171-0266e5d4-bf56-4454-9f3c-a37bac203a33.jpeg?height=200","description":"<h2>LINE UP, le podcast musique et pop culture</h2><h3>Episode 2 : Une nouvelle grammaire musicale</h3><h3><br></h3><p>Au lendemain des élans progressistes portés par&nbsp;les Beatles&nbsp;de&nbsp;<em>Sgt. Pepper’s Lonely Hearts Club Band</em>&nbsp;ou par&nbsp;les Stones&nbsp;de&nbsp;<em>Between The Buttons</em>,&nbsp;<strong>une nouvelle cartographie musicale se dessine peu à peu</strong>. Prog rock, hard rock et pop adulte dominent le paysage jusqu’à ce que le glam,&nbsp;puis le mouvement punk redistribuent les cartes.</p><p>&nbsp;</p><p><br></p><h4><em>La Playlist de l'épisode&nbsp;</em></h4><ul><li>The Beatles « Strawberry Fields Forever » (Parlophone, 1967),&nbsp;</li><li>King Crimson « Epitaph »&nbsp;(XD Stereo, 1969),</li><li>Pink Floyd « Time  » (<em>Harvest, 1973),</em></li><li>Genesis « Firth Of Fifth » (Charisma, 1971),</li><li>Deep Purple « Smoke On The Water »&nbsp;(Purple Records, 1972)<em>,</em></li><li>Tyrannosaurus Rex « She Was Born To Be My Unicorn » (Regal Zonophone, 1969),</li><li>T.Rex « Get It On » (Fly, 1971)<em>,&nbsp;</em></li><li>David Bowie « Sufragette City » (RCA, 1972),</li><li>Dr. Feelgood « She Does It Right » (United Artists Records, 1975)<em>,&nbsp;</em></li><li>Sex Pistols « Anarchy In The UK »&nbsp;(EMI, 1976),</li><li>Damned « New Rose » (Stiff Records, 1977),</li><li>The Clash « 1977 »&nbsp;(CBS Records, 1977),</li><li>The Clash « White Man In Hammersmith Palais » (CBS Records, 1978),</li><li>Throbbing Gristle « Very Friendly »<em>&nbsp;</em>(Mute Records, 1979),</li><li>Buggles « Video Killed The Radio Star »&nbsp;(Island, 1979),</li><li>Duran Duran « A view To A Kill »,&nbsp;(EMI, 1985),</li><li>The Jam « Town Called Malice » (Polydor, 1982).</li></ul><p><br></p><p><br></p><h4>Quelques albums pour aller plus loin…</h4><ul><li>King Crimson,&nbsp;<em>In The Court Of The Crimson King</em>&nbsp;<em>(An Observation By King Crimson)</em>&nbsp;(Island, 1969)</li><li>Genesis,&nbsp;<em>Nursery Cryme</em>&nbsp;(Charisma, 1971)</li><li>Black Sabbath,&nbsp;<em>Paranoid</em>&nbsp;(Vertigo, 1970)</li><li>The Rolling Stones,&nbsp;<em>Sticky Fingers</em>&nbsp;(Rolling Stones Records, 1971)</li><li>The Who,&nbsp;<em>Who’s Next</em>&nbsp;(Track Records, 1971)</li><li>T.Rex&nbsp;<em>Electric, Warrior</em>&nbsp;(Fly, 1971)</li><li>David Bowie,&nbsp;<em>The Rise And Fall Of Ziggy Stardust And The Spiders From Mars</em>&nbsp;(RCA, 1972)</li><li>Deep Purple,&nbsp;<em>Machine Head</em>&nbsp;(Purple Records, 1972)</li><li>Pink Floyd,&nbsp;<em>The Dark Side of The Moon</em>&nbsp;(Harvest, 1973)</li><li>Dr. Feelgood,&nbsp;<em>Down By The Jetty</em>&nbsp;(United Artists, 1975)</li><li>Buzzcocks,&nbsp;<em>Love Bites</em>&nbsp;(United Artists, 1978)</li><li>The Clash,&nbsp;<em>London Calling</em>&nbsp;(CBS, 1979)</li><li>The Cure,&nbsp;<em>Pornography</em>&nbsp;(Fiction, 1982)</li><li>The Jam,&nbsp;<em>All Mod Cons</em>&nbsp;(Polydor, 1978)</li><li>Joy Division,&nbsp;<em>Unknown Pleasures</em>&nbsp;(Factory, 1979)</li><li>Depeche, Mode&nbsp;<em>Some Great Reward</em>&nbsp;(Mute, 1984)</li></ul><p>&nbsp;</p><p><u>Réalisation</u>&nbsp;: Amélie Perardot</p><p><u>Narration et écriture</u>&nbsp;: Nicolas Sauvage</p><p><u>Production</u>&nbsp;: Radio Campus Besançon et la Rodia, scène de musiques actuelles de Besançon</p><p><u>Communication</u>&nbsp;: Eva Bourgin, Isis Neto, Carmen Salvat et Lucie Moreau</p><p><u>Graphisme</u>&nbsp;: Janézia</p><p><u>Direction de publication</u>&nbsp;: Martial Greuillet et David Demange</p><p><br></p><h4>Tous droits réservés.</h4>","author_name":"RADIO CAMPUS BESANÇON"}