{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/698a5cc7f6349d3c6e3f5f1e/6adb54442ae01c30d95f9d71?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Bonus Episode: Robarts as Art","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/698a5cc7f6349d3c6e3f5f1e/1792758631263-810d5ad7-caf5-4999-80aa-d1c1ee8df20f.jpeg?height=200","description":"<p>In a special bonus episode of The Unquiet Library: 50 Years of Robarts Library, host Jesse Carliner speaks with artist and filmmaker Eva Kolcze and artist, educator, and curator Jess Thalmann about Robarts as artistic inspiration. Both describe creative projects shaped by Brutalist architecture, including Thalmann’s “Toronto is brutal” tote bag and photographs of Robarts’s exterior lines, coffered ceilings, and lighting, and Kolcze’s 2014 experimental 16mm film <em>All That Is Solid</em>, which uses decay techniques to make concrete feel tactile and vulnerable. Their first encounters with Robarts lead into personal stories of memory, loss, protest, and healing, and they discuss how renovations like added lighting and Robarts Common soften the building’s perceived dehumanizing scale. They consider Robarts as landmark, symbol, friend, and wound, and imagine its future as a continually debated, enduring civic presence. </p><p><br></p><p><em><u><a href=\"https://vimeo.com/101146904?fl=pl&amp;fe=vl\" rel=\"noopener noreferrer\" target=\"_blank\">All That Is Solid</a></u></em>, a film by Eva Kolcze </p><p>To learn more about the work of Eva Kolcze visit her website at <u><a href=\"https://www.evakolcze.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.evakolcze.com/</a></u> </p><p>To learn more about the work of Jess Thalmann visit her website at <u><a href=\"https://www.jessicathalmann.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.jessicathalmann.com/</a></u> </p><p>To learn more about Jess&#39;s uncle, Professor Phoivos Ziogas: <u><a href=\"https://ieeecanada.org/biography-of-phoivos-ziogas/\" rel=\"noopener noreferrer\" target=\"_blank\">https://ieeecanada.org/biography-of-phoivos-ziogas/</a></u> </p><p>And the shooting at Concordia, see: </p><p><u><a href=\"https://www.concordia.ca/offices/archives/stories/fabrikant.html\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.concordia.ca/offices/archives/stories/fabrikant.html</a></u> </p><p><br></p><p>For more on Robarts’ history, visit uoft.me/robarts50 and follow @unquietlibrary on Instagram, Blue Sky, and TikTok. </p><p><br></p><p>00:00 Episode Introduction </p><p>01:05 Artist Introductions </p><p>03:06 Jess and her professional and creative activities involving Robarts </p><p>05:24 Eva and her professional and creative activities involving Robarts Library </p><p>10:52 Jess&#39;s personal connection to Robarts Library </p><p>18:45 Eva&#39;s first encounter with Robarts Library </p><p>23:30 Robarts as a wound </p><p>27:22 Robarts as a landmark or..... </p><p>29:51 Robarts and light </p><p>33:40 About the Robarts Common </p><p>36:10 The future of Robarts </p><p>40:12 Episode Conclusion </p><p><br></p><p>Theme music: </p><p>Felipe Sarro, Bach-Siloti - Prelude BWV 855a </p><p>Creative Commons CC0 1.0 Universal Public Domain Dedication </p>","author_name":"Library Communications"}