{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/698784ced4e01f10692b0935/6a39159eb53e8a6e08a796e0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"018: Do You See Me As I See Me?","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/698784ced4e01f10692b0935/1782141925791-6fd3d292-1960-4e2c-9a83-398835c9b6ac.jpeg?height=200","description":"<p>In a world where selling \"identity art\" might guarantee an extra $10,000 in the bank or a greenlit film in Hollywood, Amile &amp; Phoebe question what happens when blackness becomes commodified. They also examine contemporary debates around authorship, influence and recognition. Yes, Patrick Ta, we are looking at you.</p><p><br></p><p>Using Brandon Taylor's <em>Minor Black Figures</em> as a springboard, they explore a world full of competing acts of perception. They compare Wyeth's strained relationships with his friends to the slow paced kinship with his lover, Keating.</p><p><br></p><p>The episode ends on familiar ground: intimacy. Borrowing from Timothy Keller's observation that \"<em>to be loved is to be known</em>\", they reflect on who sees us as we desire to be seen.</p><p><br></p><p><strong>This episode pairs well with:</strong></p><p><br></p><ul><li><em>Minor Black Figures</em> by Brandon Taylor</li><li><em>American Fiction</em> (2023), dir. Cord Jefferson</li><li><em>This Is America</em> (2018, song) by Childish Gambino</li><li><em>AMERIICAN REQUIEM </em>(2024, song) by Beyonce</li></ul><p><br></p><ul><li>Admiring the work of Danielle McKinney</li><li>Learning the difference between intention and impact</li><li>Buying dried sorrel to make Grandma’s <em>Red Drink</em> recipe</li></ul><p><br></p><p>Happy listening,</p><p>A&amp;P</p>","author_name":"Amile & Phoebe"}