When Margot Robbie produced one of the biggest plays to hit the West End in a generation, Hollywood came with her. Quentin Tarantino was at press night, A-listers were descending on the theatre - and Harry Bradley was standing in the middle of it all as an understudy on Ava Pickett’s 1536.
Harry talks to us about what it’s like being part of a show surrounded by that level of hype, and the strange, difficult and sometimes terrifying experience of attending a huge press night when nobody knows who you are, or quite what you do.
He also has some of the best stories we’ve ever heard about the sheer weirdness of being a cover - from playing the back of someone’s head to doing a fight call in front of 1,000 people without any trousers on.
But Harry is also incredibly open about the harder side of understudying: the frustration, the lack of purpose, and the feeling that the job can somehow be seen as less valuable than being a principal. He gives us possibly the best analogy for understudying we’ve ever had on the show.
From his first job in New Zealand to making his West End debut, Harry reflects on what a successful acting career actually looks like – and why progression isn’t always about the next big credit, but about what you learn about yourself, your craft and the people you work with.
Harry Bradley - You’re On Tonight.
Harry's graphic design business: https://www.harrypbradley.com/portfolio
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Get in contact at: youreontonight@gmail.com
Hosted by Kara Alberts-Turner & Liam Horrigan.
Produced by and recorded at The Sound Company, London.
For The Sound Company: Dom Boucher, Luke Nagy, Gareth Wood & Nick Thackeray-Cron alongside Freya Baldwin & Seb Stone.
Show image by Louisa Sexton.
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