{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/696663e9d6e0ec6b282150df/69e1f5bb289eeb2c7b109ee2?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Adjani Salmon","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/696663e9d6e0ec6b282150df/1776415271380-4b11a8ca-82d2-46c2-b580-47f3731c809c.jpeg?height=200","description":"<p>Adjani Salmon grew up in Jamaica making kung-fu films at lunchtime and studying architecture, with no route into the industry and no mentors. He ended up as the creator, writer and star of&nbsp;<em>Dreaming Whilst Black</em>&nbsp;— a BBC series picked up by A24 and Showtime, with RTS and BAFTA recognition off the back of a single pilot episode.</p><p>In this episode he takes Iyare Igiehon through exactly how that happened, and he doesn't skip the unglamorous parts: the Smirnoff ad he took after his only camera-operator left the country; the reality TV edit suite where he actually learned story; the Malcolm Gladwell \"big fish, small pond\" theory that made him choose Britain over America; the web series that took two years, cost him his own money and pulled 10,000 views; the agent he got through a chain of three strangers at a 50-person screening; the seventh draft the BBC saw as \"draft one,\" and the 22nd they saw as \"draft two\"; and the day he bet a production company £50,000 he didn't have that they needed one more shooting day.</p><p>He's also candid about the parts of the story that were timing rather than talent, about why he refuses to rank how anyone earns a living making films, and about what he's building next now that he considers comedy-drama a solved problem.</p><p>Adjani first screened&nbsp;<em>Dreaming Whilst Black</em>&nbsp;at S.O.U.L. Fest, before the industry was paying attention. This conversation closes that loop.</p>","author_name":"Iyare Igiehon"}