{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69655de075c092ac4e10f4b6/6a95d420ee851f3f31167bac?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"'Pay-What-You-Want' Defies Logic, Confuses Economists, and Can Really Work","description":"<p>The pay-what-you-want business model is mostly found in museums and churches, but this week we’ll hear from entrepreneurs and artists who are implementing it in unlikely places. Guests include: Katie Bishop, owner of <a href=\"https://principlesbk.nyc/\" rel=\"noopener noreferrer\" target=\"_blank\">Principles G.I. Coffee House</a> in Brooklyn, musician <a href=\"https://greatmovieideas.tumblr.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Jeff Rosenstock</a> of Bomb the Music Industry!, and Aimé Nuñez, owner of <a href=\"https://www.pegasusreuse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Pegasus Creative Reuse</a> in Dallas.&nbsp;</p><p>We also hear from <a href=\"https://faculty.bentley.edu/profile/ssantana\" rel=\"noopener noreferrer\" target=\"_blank\">Shelle Santana</a>, assistant professor of marketing at Bentley University, who studies the PWYW model and tells Anna why its success is so confusing to economists.&nbsp;</p><p>Podcast production by Cameron Drews.&nbsp;</p><p>If you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on <a href=\"https://www.instagram.com/deathsexmoney/?hl=en\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram</a> and you can find Anna’s newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.</p>","author_name":"Slate Podcasts"}