{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69612bcd1f21449d6dec2ccb/69bc0e497878605e1121e35c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Money On Film: Spirited Away","description":"<p>&nbsp;Welcome to a very special <em>Money On Film</em> miniseries!</p><p><br></p><p>Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, Nadira and Felix take a trip to a bathhouse for spirits in 2001’s <em>Spirited Away</em>.</p><p><br></p><p>Directed by Hayao Miyazaki, the film follows a girl named Chihiro, who becomes trapped in the spirit world and must save her parents, encountering soot sprites, river spirits, a giant baby, and many more wonderful and terrifying beings along the way.</p><p><br></p><p>The film is a masterpiece of storytelling and technical animation, but as Felix explains, it also works as a highly developed metaphor for capital and the Japanese economy at the close of the millennium: the bathhouse stands in for a stable but exploitative economic system, beset by outside capital forces, with workers stripped of their names and identities.</p><p><br></p><p>This is the final episode of the <em>Money On Film</em> miniseries. Thanks for listening!</p><p><br></p><p><br></p>","author_name":"Slate Podcasts"}