{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69612bcd1f21449d6dec2ccb/69612bf6b2f9591842511002?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Theater Camp Breaks a Leg","description":"<p>This week, the panel begins by diving into <em>Theater Camp</em>, a mockumentary-style comedy about gloriously talented misfits. Then, they pay tribute to Sinéad O’Connor, the dearly missed Irish singer, songwriter, and activist whose 1992 <a href=\"https://www.youtube.com/watch?v=wrkdWXmvl68\">performance</a> on <em>Saturday Night Live</em> rocked the world. Then, the trio is joined by screenwriter (and co-host of the <a href=\"https://scriptnotes.net/\"><em>Scriptnotes</em></a><em> </em>podcast) John August to discuss the WGA and SAG-AFTRA strikes, what’s going on in Hollywood, and how this “double strike” feels different than others past.  </p><p><br></p><p>In the exclusive Slate Plus segment, the panel chews over our relationships to our digits, inspired by the delightfully small yet cerebral piece by Charlie Warzel for The Atlantic, “<a href=\"https://www.theatlantic.com/technology/archive/2023/07/phone-number-technology-infrastructure/674735/\">In Praise of Phone Numbers</a>.”</p><p><br></p><p>Email us at <a href=\"mailto:culturefest@slate.com\">culturefest@slate.com</a>. </p><p><br></p><p><strong>Endorsements:</strong></p><p><br></p><p><strong>Dana:</strong> While not released on one of her albums, Sinéad O’Connor’s <a href=\"https://www.youtube.com/watch?v=keWnPZOd2cw\">performance</a> of “The Foggy Dew” with The Chieftains at the 1995 IRMA awards in Dublin perfectly captures the singer’s gift for singing live. </p><p><br></p><p><strong>Julia:</strong> A big fan of lighting candles at dinner, Julia recommends <a href=\"https://molehollowcandles.com/\">Mole Hollow</a>, a Massachusetts-based company that produces stunning handmade candles in bright, vibrant colors. </p><p><br></p><p><strong>John: </strong>Amal El-Mohtar and Max Gladstone’s novel, <em>This is How You Lose the Time War</em>, is a beautiful and intimate story with science fiction influences, told through the exchanging of letters, epistolary-style. Shout out to Twitter user <a href=\"https://twitter.com/maskofbun?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">@maskofbun</a> for the <a href=\"https://twitter.com/maskofbun/status/1655084850926473216\">viral recommendation</a>. </p><p><br></p><p><strong>Stephen:</strong> He doesn’t normally join the bandwagon of clear winners, but Patrick Radden Keefe’s <a href=\"https://www.newyorker.com/magazine/2023/07/31/larry-gagosian-profile\">profile</a> of art dealer Larry Gagosian for The New Yorker is so impressive, it left Stephen speechless. </p><p><br></p><p>Outro music: “Forbidden Love” by OTE</p><p><br></p><p>Podcast production by Cameron Drews. Production assistance by Kat Hong. </p><p><br></p><p>This episode is sponsored by the podcast <em>About the Journey. </em>Learn more here: https://traveler.marriott.com/about-the-journey/</p><p><br></p><p>If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work.</p><p> </p>","author_name":"Slate Podcasts"}