{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69612bcd1f21449d6dec2ccb/69612be23a409cca49e5889b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Furiosa’s Glower","description":"<p>On this week’s show, the hosts begin by jumping into <em>Furiosa: A Mad Max Saga</em>, a prequel to George Miller’s 2015 <em>Fury Road</em>, in which Anya Taylor-Joy stars as Furiosa, an arachnid beauty who’s stolen as a child and becomes a wasteland road warrior. She’s a “strong, silent type,” typical of the action film genre, but does that trope mean something different with a female protagonist in 2024? The panel discusses. (Read Dana’s <a href=\"https://slate.com/culture/2024/05/hit-man-netflix-movie-glen-powell-adria-arjona.html\">review</a> of <em>Furiosa</em>!) Then, the three chat <em>Hit Man</em>, Richard Linklater’s latest starring Glen Powell as Gary Johnson, a college professor who moonlights as a fake gunman for hire. It’s a delightful rom-com tucked within a thriller—a romantic thriller, if you will–that manages to feel like a hangout film despite its ridiculous premise. (Read Dana’s <a href=\"https://slate.com/culture/2024/05/hit-man-netflix-movie-glen-powell-adria-arjona.html\">review</a> of <em>Hat Man</em>!) Finally, ScarJo or FauxJo? Tech journalist and author of <a href=\"https://www.hachettebookgroup.com/titles/brian-merchant/blood-in-the-machine/9780316487740/?lens=little-brown\"><em>Blood in the Machine: The Origins of the Rebellion Against Big Tech</em></a> Brian Merchant joins the panel to parse through Silicon’s Valley’s latest scandal: Scarlett Johansson accusing ChatGPT of stealing her voice for its new interface program. (Read Brian’s <a href=\"https://www.bloodinthemachine.com/p/for-tech-ceos-the-dystopia-is-the\">newsletter</a> about it!)</p><p><br></p><p>In the exclusive slate Plus segment, the hosts answer an excellent listener question from Michael Schulman: What fictional works of art-within-the-art would you most want to see on their own?</p><p><br></p><p>Email us at <a href=\"mailto:culturefest@slate.com\">culturefest@slate.com</a>. </p><p><br></p><p><strong>Endorsements:</strong></p><p><br></p><p><strong>Dana: </strong>An <a href=\"https://www.texasmonthly.com/arts-entertainment/richard-linklater-hit-man-theater-interview/\">interview</a> between Richard Linklater and Skip Hollandsworth, whose stories Linklater adapted in the films <em>Bernie </em>and <em>Hit Man</em>, for Texas Monthly. </p><p><br></p><p><strong>Julia: </strong><a href=\"https://shop.hasbro.com/id-id/product/monopoly-deal-card-game/E81831FC-FCB7-4E13-9E95-CD4D1AF3DBDB\"><em>Monopoly Deal</em></a>, a well-designed family card game. </p><p><br></p><p><strong>Stephen: </strong>A poem by Janet Frame, “<a href=\"https://poetryarchive.org/poem/scarlet-tanager-saratoga-springs/\">Scarlet Tanager, Saratoga Springs</a>” which was featured on the Yumi Zouma song, “<a href=\"https://open.spotify.com/track/1KkT8cmPrCktDf33lW1LHc?si=bbd5288754f44f67&amp;nd=1&amp;dlsi=d77a9f222a244543\">Lie Like You Want Me Back - Alternative Version</a>.”</p><p><br></p><p>Podcast production by Jessamine Molli. Production assistance by Kat Hong.</p><p> </p>","author_name":"Slate Podcasts"}