{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/695ed31524334d02345bdb78/695ed31f313b808065e19b8e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Good to Go-Go","description":"<p>Many of the American musical genres that began in the Black community get taken over—artistically, financially, or both—by white Americans. Go-go, which traces its roots to the African-American neighborhoods in and around Washington, DC, is an exception. Now a new museum aims to preserve and amplify the essence of go-go, and extend its legacy to the next generation of fans. On today’s episode of A Word, Jason Johnson is joined by Natalie Hopkinson, chief curator of the<a href=\"https://www.gogomuseumcafe.com/\"> Go-Go Museum and Cafe</a> Washington, DC, and the author of “<a href=\"http://www.amazon.com/dp/0822352117/?tag=slatmaga-20\">Go-Go Live: The Musical Life and Death of a Chocolate City</a>.” They discuss the museum, the history go-go across the region, and its unique role in inspiring resistance to gentrification and erasure of the city’s Black heritage.</p><p><br></p><p>Guest: Professor Natalie Hopkinson, writer and co-curator of the Go-Go Museum in Washington, DC.</p><p><br></p><p>Podcast production by Kristie Taiwo-Makanjuola</p><p><br></p><p><strong><em>Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit </em></strong><a href=\"http://slate.com/awordplus\"><strong><em>slate.com/awordplus</em></strong></a><strong><em> to get access wherever you listen.</em></strong></p><p> </p>","author_name":"Slate Podcasts"}