{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/695ead68a32e86d775858194/695ead911c1db1c5bdfb634a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Slate Money Goes to the Movies: The Big City","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/695ead68a32e86d775858194/a07636914058fbd51f18703f0b813f68.jpeg?height=200","description":"<p>Welcome to Slate Money Goes to the Movies, a miniseries in which Felix Salmon, Emily Peck, and a different guest each week discuss popular business-themed movies.</p><p><br></p><p><a href=\"https://twitter.com/shazna\">Shazna Nessa</a> of <em>The Wall Street Journal</em> joins Felix and Emily to talk about the 1963 Bengali film, <em>The Big City</em>. They talk about how the feminist themes resonate today, what makes it an “art house” film, and why the ending seems like a low point, but doesn’t feel like one.  </p><p><br></p><p>Email: <a href=\"mailto:slatemoney@slate.com\">slatemoney@slate.com</a></p><p><br></p><p>Podcast production by Cheyna Roth</p><p><br></p><p>Thanks <a href=\"http://avast.com/\">Avast.com</a>!</p><p> </p>","author_name":"Slate Podcasts"}