{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/695e9bf0a32e86d775801413/695e9c0ba32e86d775801a99?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Power of the Dog's Sneaky Feminism","description":"<p>On this week’s episode of The Waves, we’re saddling up and taking the reins to talk Westerns. Film critic and host of the podcast <em>Watch With Jen</em>, <a href=\"https://twitter.com/FilmIntuition\">Jen Johans</a> is joined by <em>Washington Post </em>TV critic and host of the All About Almodóvar &amp; All About Campion podcasts,<a href=\"https://twitter.com/inkookang\"> Inkoo Kang</a>.</p><p><br></p><p>First they dive into the history of the genre: What makes something a Western, and how the genre has challenged stereotypes when it comes to the sexes. Then they explore Jane Campion’s Oscar-nominated film, and the latest big Western, <em>Power of the Dog. </em></p><p><br></p><p>In Slate Plus, Jen and Inkoo talk about whether pianos are feminist.  </p><p><br></p><p><strong>Recommendations:</strong></p><p><strong>Jen: </strong>The films of Terrence Malick and Wim Wenders</p><p><strong>Inkoo: </strong>Jane Campion’s 1999 film, <a href=\"https://www.imdb.com/title/tt0144715/?ref_=nm_flmg_wr_7\"><em>Holy Smoke</em></a> </p><p> </p><p>Podcast production by Cheyna Roth with editorial oversight by Shannon Palus and June Thomas. </p><p>Send your comments and recommendations on what to cover to thewaves@slate.com</p><p> </p>","author_name":"Slate Podcasts"}