{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/695d50f639d31c85883e56aa/69a23acaa9760df1fbbe09db?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Bridge: Take Me Home, Country Crossover","description":"<p>In this Slate Plus bonus episode, journalist and historian <a href=\"https://nofencesreview.substack.com/\" rel=\"noopener noreferrer\" target=\"_blank\">David Cantwell</a> joins Chris Molanphy for a deeper dive into Hit Parade’s exploration of <a href=\"https://slate.com/podcasts/hit-parade/2026/02/john-denver-and-olivia-newton-johns-crossover-from-country-to-pop\" rel=\"noopener noreferrer\" target=\"_blank\">crossover attempts in country music</a>. Cantwell explains that country has always been a fluid genre, absorbing and repackaging rock, pop, folk, and myriad other sounds. So while ’70s newcomers like Olivia Newton-John and John Denver were initially met with backlash from purists, soon enough Nashville naysayers fell in line—or mounted their own crossover campaigns.</p><p><br></p><p>Also: Chris Molanphy tests a Slate Plus listener’s music knowledge, gives him a chance to turn the tables with a question of his own, and offers a sneak peek at the next episode of Hit Parade. Slate Plus members can sign up for a chance to be our trivia contestant on a future episode <a href=\"https://docs.google.com/forms/d/e/1FAIpQLSdXnKp06USxF06ckY9KKx7z4n9AkqFQV64CWzHuf7L-I-wSKQ/viewform\" rel=\"noopener noreferrer\" target=\"_blank\">here</a>.</p><p><br></p><p>Podcast production by Kevin Bendis.</p>","author_name":"Slate Podcasts"}