{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/695d4ed8d1ba84fb8f043f94/698ff7a9d6c27a06bb99367e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Country Roads and Summer Nights Edition Part 2","description":"<p>These days, country and pop acts regularly invade each other’s territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.</p><p><br></p><p>John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.</p><p><br></p><p>Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film <em>Grease</em>, then reinvented herself as a leather-clad siren unafraid to get physical.</p><p><br></p><p>Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to <em>Xanadu</em>.</p><p><br></p><p>Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of \"The Bridge,\" and ad-free listening across all your favorite Slate podcasts. Visit <a href=\"https://slate.com/podcast-plus?utm_medium=link&amp;utm_campaign=plus_pod&amp;utm_content=Hit_Parade&amp;utm_source=episode_page\" rel=\"noopener noreferrer\" target=\"_blank\">slate.com/hitparadeplus</a> to get access wherever you listen.</p>","author_name":"Slate Podcasts"}