{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/695d4ed8d1ba84fb8f043f94/695d4f6a0c30a1408dc2b643?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The AC/DC Rule, Part 1","description":"<p>Quick, what was the only No. 1 album by Jimi Hendrix? How about the first No. 1 by Billy Joel? Jackson Browne? Pat Benatar? Pearl Jam? Lady Gaga?</p><p> </p><p>In all cases, the answer isn’t obvious—it’s not the album you know best, the one with the most hits on it. It’s the album <strong>after</strong> that classic that goes to No. 1. And there’s no better example than AC/DC, the Australian-by-way-of-Scotland hard rock band that’s sold more than 20 million copies of <em>Back in Black</em>. But it was their next album (can you name it?) that topped the Billboard album chart.</p><p> </p><p>Chris Molanphy has coined a term for this weird chart phenomenon: He calls it The AC/DC Rule. Just as less-good movie sequels open better at the box office than classic first installments, follow-up albums often chart higher than their slow-growing but hit-packed predecessors. Some of the rock and pop legends who fell prey to this chart phenomenon might surprise you…might just leave you shook all night long.</p><p> </p><p>Podcast production by Asha Saluja.</p><p> </p>","author_name":"Slate Podcasts"}