{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/695d4ed8d1ba84fb8f043f94/695d4f63154465cd600c71c4?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Twerking and Chatrouletting Edition","description":"<p>Even before the launch of MTV, the music video has been making pop songs buzzworthy. And since the early ’80s, it has transformed also-rans into hitmakers—from the <a href=\"https://www.youtube.com/watch?v=Iwuy4hHO3YQ\">Buggles</a> and <a href=\"https://www.youtube.com/watch?v=e3W6yf6c-FA\">Duran Duran</a> to <a href=\"https://www.youtube.com/watch?v=OJWJE0x7T4Q\">Peter Gabriel</a> and <a href=\"https://www.youtube.com/watch?v=djV11Xbc914\">a‑ha</a>. But until the early 2010s, watching a video didn’t count on the <em>Billboard</em> charts. That all changed thanks to YouTube—and the biggest immediate beneficiary from the addition of video to the charts was a rising pop star, incubated on the Disney Channel, but looking to change her image. <a href=\"https://www.youtube.com/watch?v=My2FRPA3Gf8\">Miley Cyrus</a> was born into hitmaking, line-dancing, multimedia royalty, and she used video titillation—and even the social site <a href=\"http://www.slate.com/articles/podcasts/culturegabfest/2010/02/the_culture_gabfest_meet_the_crotchman_edition.html\">Chatroulette</a>—to top the charts. But what did all that provocation mean for…y’know, the <em>music</em>? And how is video still making hits—including <a href=\"https://slate.com/culture/2018/05/why-childish-gambinos-this-is-america-reached-no-1-on-billboards-hot-100.html\">the song that’s No. 1</a> <em>this very week</em> in 2018?  Chris Molanphy explains it all. </p><p>hitparade@slate.com</p><p> </p>","author_name":"Slate Podcasts"}