{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6958298e6446068fdc43e837/695829c06c77c8cb7a7ba7ea?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"How a Museum Curator Decides Which Objects to Put on Display","description":"<p>This week, host June Thomas talks to Debra Schmidt Bach, a curator of the New-York Historical Society’s new exhibition, \" ‘<a href=\"https://www.nyhistory.org/exhibitions/turn-every-page-inside-robert-caro-archive\">Turn Every Page’: Inside the Robert A. Caro Archive</a>.” They discuss the art of selecting objects that visitors will respond to; how objects like notebooks and a typewriter showcase Caro’s idiosyncratic writing process; and the particular challenges of maintaining an exhibition that features lots of pieces of paper, a material that needs to rest so that it can be preserved.</p><p><br></p><p>After the interview, June and co-host Karen Han discuss what kind of museum visitors they are, the art of winnowing, and how they find projects that will sustain their interest.</p><p><br></p><p>In the exclusive Slate Plus segment, Schmidt Bach reveals her strategy for overcoming “curator’s block” and shares what she learned from working on the Caro exhibition.</p><p><br></p><p>Send your questions about creativity and any other feedback to <a href=\"mailto:working@slate.com\">working@slate.com</a> or give us a call at (304) 933-9675.</p><p> </p><p>Podcast production by Kevin Bendis and Cameron Drews.</p><p> </p>","author_name":"Slate Podcasts"}