{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6955465577f9435bdcc8cb82/6955467fe3c8c736bd7d5f9b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"On the Ground: Tony Cranstoun, Editor of The Farthest at Capital Irish Film Festival","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6955465577f9435bdcc8cb82/074523538874aa0cb5fb917698aa833a.jpg?height=200","description":"<p><strong>John Collins spoke to Tony Cranstoun, editor of&nbsp;<em>A Date for Mad Mary</em>&nbsp;and&nbsp;<em>The Farthest,</em>&nbsp;which closed this year’s Capital Irish Film Festival in Washington D.C. </strong></p><p><em>The Farthest&nbsp;</em>chronicles NASA's 1977 launch of twin space probes, sent to capture images of remote planets and bear messages from Earth.</p><p>Listen now on <a href=\"https://soundcloud.com/film-ireland/capital-irish-film-festival-editor-tony-cranstoun\" rel=\"noopener noreferrer\" target=\"_blank\">SoundCloud</a>, <a href=\"https://podcasts.apple.com/us/podcast/film-ireland-presents-tony-cranstoun-editor-of/id914998854?i=1000425646275\" rel=\"noopener noreferrer\" target=\"_blank\">Apple</a>, <a href=\"https://open.spotify.com/episode/633DbDYR4oJ2TVEPPYdfsp\" rel=\"noopener noreferrer\" target=\"_blank\">Spotify</a>, <a href=\"https://shows.acast.com/film-ireland/episodes/6955467fe3c8c736bd7d5f9b\" rel=\"noopener noreferrer\" target=\"_blank\">Acast</a> and <a href=\"https://music.amazon.in/podcasts/e915d669-a7ff-44de-beef-b4024635c3d1/episodes/d29e870f-2d94-448f-af49-4ea12b5e0e8b/film-ireland-podcast-film-ireland-presents-tony-cranstoun-editor-of-the-farthest\" rel=\"noopener noreferrer\" target=\"_blank\">Amazon</a>, or subscribe to Film Ireland <a href=\"https://www.filmireland.net/film-ireland-podcast/\" rel=\"noopener noreferrer\" target=\"_blank\"><u>wherever you get your podcasts</u></a>.</p><p><br></p><p>Capital Irish Film Festival</p><p>Solas Nua’s annual Capital Irish Film Festival in Washington, D.C., presents one of the largest programmes of Irish cinema in North America, showcasing the latest Irish dramatic and documentary features, shorts, art films and animation releases by Irish and Ireland-based filmmakers.</p><p>The festival provides a US platform that amplifies the work of independent filmmakers working in Ireland and beyond, and celebrates the strength of Ireland’s contemporary cinematic culture. The programme highlights the country’s rich cultural heritage while fostering an inclusive and diverse community of Irish filmmakers. Capital Irish Film Festival champions emerging voices on Irish screens, showcases the exceptional talent and craft within Irish filmmaking, and reflects the robust and vibrant screen industry that has grown in Ireland in recent years.</p><p>The festival also presents the annual Norman Houston Short Film Award, dedicated to the memory of Norman Houston, the former Director of the Northern Ireland Bureau (NIB) in the United States. The award honours the best new short film created by a filmmaker based in or from Northern Ireland, made within the previous two years. The 2026 Norman Houston Short Film Award goes to writer-director Oliver McGoldrick for his film&nbsp;<em>Three Keenings</em>.</p><p>Read more on&nbsp;<a href=\"https://www.solasnua.org/ciff?ref=filmireland.net\" rel=\"noopener noreferrer\" target=\"_blank\">SolasNua.org</a>, follow Capital Irish Film Festival on&nbsp;<a href=\"https://filmfreeway.com/CapitalIrishFilmFestival?ref=filmireland.net\" rel=\"noopener noreferrer\" target=\"_blank\">FilmFreeway</a>&nbsp;here.</p>","author_name":"Film Ireland"}