{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6955465577f9435bdcc8cb82/6955467956c11ef409ace1bd?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Presents: Alan Gilsenan, Director of The Days Of Trees","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6955465577f9435bdcc8cb82/626f814699838c29ed1e2d016640f258.jpg?height=200","description":"<p>In this podcast, Gemma Creagh talks to Alan Gilsenan about his latest film, 'The Days Of Trees'.</p><p>Listen now on&nbsp;<a href=\"https://soundcloud.com/film-ireland/alan-gilsenan-director-of-the-days-of-trees?ref=filmireland.net\" rel=\"noopener noreferrer\" target=\"_blank\">SoundCloud,</a>&nbsp;<a href=\"https://podcasts.apple.com/us/podcast/film-ireland-presents-alan-gilsenan-director-of-the/id914998854?i=1000652727857&amp;ref=filmireland.net\" rel=\"noopener noreferrer\" target=\"_blank\">Apple</a>,&nbsp;<a href=\"https://open.spotify.com/episode/4USGsxOXw2nBNi3oaGiAUF?ref=filmireland.net\" rel=\"noopener noreferrer\" target=\"_blank\">Spotify</a>,&nbsp;<a href=\"https://shows.acast.com/film-ireland/episodes/6955467956c11ef409ace1bd?ref=filmireland.net\" rel=\"noopener noreferrer\" target=\"_blank\">Acast</a>&nbsp;and&nbsp;<a href=\"https://music.amazon.in/podcasts/e915d669-a7ff-44de-beef-b4024635c3d1/episodes/de2bd498-299c-489a-b224-f3e8c918fa9b/film-ireland-podcast-film-ireland-presents-alan-gilsenan-director-of-the-days-of-trees?ref=filmireland.net\" rel=\"noopener noreferrer\" target=\"_blank\">Amazon</a>, or subscribe to Film Ireland&nbsp;<a href=\"https://www.filmireland.net/film-ireland-podcast/\" rel=\"noopener noreferrer\" target=\"_blank\"><u>wherever you get your podcasts</u></a>.</p><p><br></p><p>In this highly orig­i­nal fea­ture doc­u­men­tary, Tomás, a middle-​aged film pro­ducer, embarks on a jour­ney of dis­cov­ery with his friend and col­league, film direc­tor, Alan. As they progress, we wit­ness first-​hand Tomás’s unearthing of fresh and star­tling child­hood hap­pen­ings which had some­how eluded his mem­ory. What fol­lows is a pro­found pil­grim­age towards uncov­er­ing how spo­radic crises in adult­hood, amidst an oth­er­wise ‘nor­mal’ life, had their roots in sophis­ti­cated sex­ual abuse by Chris­t­ian Broth­ers in the late&nbsp;1960s.</p><p>There is con­sid­er­able beauty in this psy­cho­log­i­cal exca­va­tion, the shad­owy black and white palette lend­ing inti­macy to the unflinch­ingly hon­est tes­ti­mony. This is the story of a man, not seek­ing vengeance, but seek­ing to tran­scend the trauma of his trou­bled past, ulti­mately find­ing redemption.</p><p><em>The Days of Trees&nbsp;</em>reunites direc­tor Alan Gilse­nan and pro­ducer Tomás Hardi­man to com­plete the third in their loose tril­ogy with the acclaimed&nbsp;<em>Meet­ings with Ivor&nbsp;</em>and&nbsp;<em>The Meet­ing.The Days Of Trees</em>&nbsp;is in cinemas from 12th April 2024.</p>","author_name":"Film Ireland"}