{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/693f1a8d9278bf5c1cf41c23/6abd6f3882177b9ab8671d8a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Album 4. Track 5. Theme For An Imaginary Western","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/693f1a8d9278bf5c1cf41c23/1790819147217-6f314415-5e54-4ac0-bc89-4aa9e139911d.jpeg?height=200","description":"<h3>THIS WEEK ON THE PROGRAM…</h3><p>Some songs are tracks. Some songs become standards. And some songs apparently require Dr. Glund to empty the entire medicine cabinet onto the examining table.</p><p>This week, Chaz and the Doctor tackle <strong>“Theme for an Imaginary Western”</strong> — one of the BIG ones. Jack Bruce and Pete Brown’s magnificent song gets the full Colosseum treatment, and naturally that means simply discussing the version on <em>Daughter of Time</em> is nowhere near sufficient. The Doctor has brought evidence. Lots of evidence. </p><p><br></p><h3>TRACK UNDER THE MICROSCOPE</h3><p><strong>COLOSSEUM — “THEME FOR AN IMAGINARY WESTERN”</strong></p><p>The original assignment is simple: determine what Colosseum does with a song that already seems carved into the side of a mountain.</p><p>Then Jack Bruce enters the examination room.</p><p>Then <strong>Mountain</strong> enters.</p><p>Then Leslie West turns the amplifiers up until an entirely different investigation breaks out: <strong>was heavy metal actually born in New York?</strong> Mountain, Cactus and Sir Lord Baltimore are entered into evidence while Leslie’s monstrous guitar tone makes a fairly compelling case for the prosecution.</p><p>Naturally, we keep going.</p><p>Jack Bruce. Leslie West. Corky Laing. Felix Pappalardi. Growling bass. Enormous guitars. Live recordings. And the growing realization that “Theme for an Imaginary Western” isn&#39;t merely a song being covered — it’s a piece of musical territory every great band seems determined to claim for itself.</p><p><br></p><h3>THE DIGRESSION ZONE</h3><p>Eventually somebody mentions <strong>Peter Green</strong>, which is exactly the sort of thing that causes this program to abandon whatever road it was supposedly traveling.</p><p>Suddenly we’re at the <strong>Boston Tea Party with early Fleetwood Mac</strong>, marveling at Green’s guitar tone and discovering all over again that <strong>“Black Magic Woman” was Peter Green’s song before most of the planet associated it with Santana.</strong></p><p>There are questions.</p><p>There are diversions.</p><p>There is whiskey.</p><p>At one point the technology itself apparently decides the show has gone far enough.</p><h3></h3><h3>THE DOCTOR’S PRESCRIPTION</h3><p>Take one monumental Jack Bruce/Pete Brown composition.</p><p>Administer Colosseum liberally.</p><p>Follow with Mountain at considerable volume.</p><p>Add Peter Green as required.</p><p>Do <strong>not</strong> operate heavy machinery while debating the geographical birthplace of heavy metal.</p><p>And remember:</p><p><strong>The guitar must rock.</strong></p><p><strong>The music must expand the mind.</strong></p><p><strong>It must never, ever sell out.</strong></p><p>The Doctor is in.</p>","author_name":"Chaz Charles and Dr. Porifera Glund"}