{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/693f1a8d9278bf5c1cf41c23/69965748435569254b01899c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Dr.'s Digressions: Mark Clarke Mach II","description":"<h2>EPISODE SUMMARY</h2><p>Welcome back to&nbsp;<strong>Those Who Are About To Dive: Chronicling Colosseum, Track by Bloody Track</strong>, where the track list occasionally takes a polite step aside so history can walk straight into the room and pour itself a drink.</p><p><strong>THIS EPISODE:</strong></p><p><strong>Dr.’s Digressions — Mark Clarke: Mach II</strong></p><p>Mark Clarke returns to the Den, and what begins as a simple question —&nbsp;<em>“What was your first recorded track with Colosseum?”</em>&nbsp;— detonates into a two-hour guided tour through five decades of rock mythology.</p><p>We confirm the answer:&nbsp;<strong>“Downhill and Shadows”</strong>&nbsp;from&nbsp;<em>Daughter of Time</em>&nbsp;— Mark’s first committed Colosseum studio performance. Nervous. Half an hour to cut it. Jon Hiseman says, “That’s great.” History moves on.</p><p>From there?</p><p>Strap in.</p><p>Mark walks us through:</p><ul><li>The Tony Reeves fallout and the awkward politics of taking the Colosseum bass chair</li><li>Zeppelin at the Hyatt House (yes, that Hyatt House)</li><li>Motorcycles in hallways and six-packs glued to elevator walls</li><li>Felix Pappalardi, Mountain, and the tragedy that followed</li><li>Eddie Van Halen at 15 asking for an autograph at the Whisky</li><li>The truth about the mysterious guy on the&nbsp;<em>Colosseum Live</em>&nbsp;cover</li><li>Mick Ronson, Ian Hunter, Larry Coryell, Jack Bruce, Levon Helm, Mick Taylor, Hamish Stewart, Ringo’s orbit, and the quiet gravity of Liverpool</li></ul><p>And through it all, the recurring theme: Colosseum may have been a “well-known secret” among musicians — but the musicians were absolutely listening.</p><p>We also get deep into&nbsp;<strong>“Tonight”</strong>&nbsp;from&nbsp;<em>Restoration</em>&nbsp;— the song that brought Clem Clempson to tears in the studio.</p><p>There are brandy stories.</p><p>There are backstage politics.</p><p>There is honesty about egos, genius, and the difference between myth and memory.</p><p>Most importantly, there is this: After all the tours, the supergroups, the near-misses and the legends…Mark still wants to get on the plane.</p><p>Still wants to jam at soundcheck.</p><p>Still hugs Clem after a great show.</p><p>That’s not nostalgia.</p><p>That’s DNA.</p><p>No verdicts rendered this week.</p><p>Just lived history from a man who was there when it was all new.</p><h2>YOUR PRESCRIPTION</h2><p><strong>Recommended Indulgences — Mark Clarke Edition</strong></p><p>(Administered not for correction, but for pleasure.)</p><h3>Essential Listening</h3><ul><li><strong>Colosseum — “Downhill and Shadows”</strong>&nbsp;(<em>Daughter of Time</em>)</li><li>The first step into the fire.</li><li><strong>Colosseum — “Tonight”</strong>&nbsp;(<em>Restoration</em>)</li><li>The tear-trigger. Listen closely.</li><li><strong>Colosseum — “Hesitation”</strong>&nbsp;(<em>Restoration</em>)</li><li>Modern Colosseum with undiminished passion.</li><li><strong>Colosseum Live (1971)</strong></li><li>Drop the needle. Meet the mystery man.</li><li><strong>Colosseum LiveS – The Reunion Concerts</strong></li><li>Energy restored. No nostalgia tax.</li></ul><h3>Extended Digression Homework</h3><ul><li>Ian Hunter —&nbsp;<em>All of the Good Ones Are Taken</em></li><li>Mountain — particularly the Pappalardi era</li><li>Mick Ronson solo work</li><li>Larry Coryell live material</li><li>Jack Bruce —&nbsp;<em>Songs for a Tailor</em>&nbsp;onward</li><li>Average White Band (Hamish Stewart era)</li><li>Sydney Christmas (as instructed by Mark himself)</li></ul><h3>Recommended Conditions</h3><ul><li>Best consumed after dark</li><li>Volume slightly higher than socially acceptable</li><li>Consider a modest whiskey (avoid brandy)</li><li>Do not Google the Live cover guy — embrace the mystery</li><li>Allow time for emotional whiplash</li></ul><h3>Possible Side Effects</h3><ul><li>Sudden desire to jam at soundcheck</li><li>Renewed respect for bass players</li><li>Mild resentment that Colosseum didn’t fully crack America</li><li>Increased tolerance for long solos</li><li>A creeping suspicion that rock history is far stranger than advertised</li></ul><p>Next episode: we return to the tracks.</p><p>But for now —</p><p>The Doctor is in.</p>","author_name":"Chaz Charles and Dr. Porifera Glund"}