{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69380c0d4a9751f83d7c325d/6a58d7f7794f69a800d31747?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Can we separate great art from bad artists","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/69380c0d4a9751f83d7c325d/1784207270706-93ceaa5b-184c-4d87-aecf-216412efbe5d.jpeg?height=200","description":"<p>Throughout history, art, and artists, have caused moral outrage.</p><p><br></p><p>For a long time we had the liberal notion that we could separate great art from bad artists, but we do seem to live in a time of heightened moralisation around works of art and their creators. Why is that?</p><p><br></p><p>Tanjil Rashid is joined by Daisy Dixon, who has written the book <em>Depraved: The Story of Dangerous Art.</em></p>","author_name":"The New Statesman"}