{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69380c0d4a9751f83d7c325d/698f58be1506be1a7e90b23b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Wuthering Heights is a disgusting film, but is it a love story?","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/69380c0d4a9751f83d7c325d/1771002002902-bfab6fce-b00b-401a-be80-d0b400cb0cfb.jpeg?height=200","description":"<p>Wuthering Heights is a story that has been told and retold, adapted and reinterpreted so many times since publication in 1847.</p><p><br></p><p>Every generation seems to rediscover Emily Brontë’s ever-enduring novel, and every generation seems convinced it finally understands it.</p><p><br></p><p>Now, it’s British filmmaker Emerald Fennell’s turn. And once again, we’re left asking: is this a love story, a ghost story, a story of obsession, or something stranger that refuses to settle into any single interpretation?</p><p><br></p><p>Tanjil Rashid is joined by Lucasta Miller.</p><p><br></p><p><br></p>","author_name":"The New Statesman"}