{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/69380c0d4a9751f83d7c325d/697cf6fbf0f157225a4f2ab5?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Infinite Jest is a novel for 2026","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/69380c0d4a9751f83d7c325d/1769797161040-7586295b-ba4d-4505-9715-ceefd68717b7.jpeg?height=200","description":"<p>Thirty years ago, David Foster Wallace published Infinite Jest - a novel so sprawling, so formally strange, and so unnervingly prescient that it has never quite stopped happening.  </p><p><br></p><p>Set in a near-future North America obsessed with pleasure, entertainment, and escape, the book asked a question that feels even sharper today than it did in 1996: what happens when a culture confuses happiness with anaesthesia?</p><p><br></p><p>Tanjil Rashid is joined by DT Max and Jonathan Derbyshire to discuss why the novel still matters, and what it can tell us about the world we’ve built since.</p><p><br></p><p><br></p>","author_name":"The New Statesman"}