{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/692a0aa09b21443f855ba6a8/692a1b11094cd3923201e28b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"First Assistant Director: Organising Challenging Takes","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/692a0aa09b21443f855ba6a8/1764709328118-c69296ec-06af-4bb5-bf0c-9c6e6a50f8de.jpeg?height=200","description":"<p><em>Anatomy of a Scene</em> is a podcast where the people behind French film and TV walk us through their creative process.</p><p>In this episode, we talked to <strong>Valentin Rodriguez</strong> about his work on TV series<strong> <em>Oussekine </em></strong>and with <strong>Célie Valdenaire </strong>for<strong> <em>Bloody Milk</em>.</strong></p><p><br></p><p>In this discussion, we talk with two first assistant directors about the invisible choreography that keeps a set moving.</p><p>First, <strong>Valentin Rodriguez</strong>, who shares what it takes to stage a large-scale protest scene for <em>Oussekine</em> : from helping direct dozens of extras to helping recreate a recent historical moment through costumes, bodies, and streets. With him, we explore the strange mix of logistics and emotion that comes with working on a story set in a past that isn’t so distant.</p><p>We also speak with <strong>Célie Valdenaire</strong>, now a seasoned first AD in feature films, who tells us about <em>Bloody Milk</em> and the surprising expertise required on that set: learning from a farmer, navigating the unpredictability of animals, and</p><p>coordinating the delicate, high-stakes moment of a calf being born on camera.</p><p><br></p><p>An episode about scale, precision, and the quiet mastery behind scenes that feel alive.</p><p><br></p><p>-----</p><p><br></p><p><strong><em>Anatomy of a Scene</em></strong> is produced and hosted by <strong>Jeanne Boëzec</strong></p><p>Music by <strong>Fanny Martin</strong></p><p>Editing and mixing by <strong>Fanny Martin</strong> and <strong>Jeanne Delplancq</strong></p><p>Artworks by <strong>Lisa Carpagnano</strong></p><p>Special thanks to <strong>Valentin Rodriguez</strong> and <strong>Célie Valdenaire</strong> for their participation</p><p>This podcast is commissioned by <a href=\"https://www.unifrance.org/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Unifrance</strong></a></p><p><br></p><p>Follow <strong>@myfrenchstories</strong> on <a href=\"https://www.instagram.com/myfrenchstories/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Instagram</strong></a><strong>, </strong><a href=\"https://www.facebook.com/myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Facebook</strong></a><strong>, </strong><a href=\"https://www.youtube.com/unifrance\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>YouTube</strong></a><strong>, </strong><a href=\"https://www.tiktok.com/@myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Tik Tok</strong></a><strong> </strong>and<strong> </strong><a href=\"https://www.threads.com/@myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Threads</strong></a> to keep up with the latest news on French cinema and TV worldwide</p><p><br></p><p>© 2025 UNIFRANCE – ALL RIGHTS RESERVED</p>","author_name":"UNIFRANCE"}